Måleriet identifieringen:: 62929
Paradise Canto VI 1490s Silverpoint on parchment, completed in pen and ink, 320 x 470 mm Staatliche Museen, Berlin Artist: BOTTICELLI, Sandro Title: Paradise, Canto VI Date: 1451-1500 Italian , graphics : other Italian Early Renaissance Painter, 1445-1510
Måleriet identifieringen:: 62930
Paradise Canto XXX 1490s Drawing on parchment, 320 x 470 mm Staatliche Museen, Berlin In the Empyrean, the upper heaven, Dante and Beatrice are carried upwards in a river of light, from which fly sparkles which Botticelli depicts as little putti. They disappear in the meadows of flowers along the banks on either side. The one on the right had not been retraced with ink and was a preliminary drawing carried out in silver point. Artist: BOTTICELLI, Sandro Painting Title: Paradise, Canto XXX , 1451-1500 Painting Style: Italian , graphics Type: other Italian Early Renaissance Painter, 1445-1510
Måleriet identifieringen:: 83252
Paradise Date ca. 1620(1620)
Medium Oil on oak
Dimensions Height: 59 cm (23.2 in). Width: 42 cm (16.5 in).
cjr painted Paradise in ca. 1620
(Dutch: Denijs van Alsloot) (c. 1570, Mechelen - c. 1626) was a Flemish Baroque painter.
He initially painted using the style of Gillis van Coninxloo, but after 1610 gradually developed a style of his own. This style can be seen in paintings such as The feast of the Ommegang (Museo del Prado, Madrid) and Procession to Mary at the Zavel in Brussels (Victoria and Albert Museum, London).
At the beginning of the 17th century, in either 1600 or 1606, his career rose when he served as court painter to Albert and Isabella.
Hendrick de Clerck sometimes painted the people (Dutch: stoffering or stoffage) in his landscape works.
Van Alsloot's work can be regarded as a precursor to modern Landscape art.
Måleriet identifieringen:: 86122
Paradise Date c. 1607(1607)
Medium Oil on canvas
cjr (Dutch: Denijs van Alsloot) (c. 1570, Mechelen - c. 1626) was a Flemish Baroque painter.
He initially painted using the style of Gillis van Coninxloo, but after 1610 gradually developed a style of his own. This style can be seen in paintings such as The feast of the Ommegang (Museo del Prado, Madrid) and Procession to Mary at the Zavel in Brussels (Victoria and Albert Museum, London).
At the beginning of the 17th century, in either 1600 or 1606, his career rose when he served as court painter to Albert and Isabella.
Hendrick de Clerck sometimes painted the people (Dutch: stoffering or stoffage) in his landscape works.
Van Alsloot's work can be regarded as a precursor to modern Landscape art.
